Replace “wide overhead perspective” with “medium-high aerial perspective centered on the yacht,” and add “yacht occupying the central third of the frame, clearly dominant in scale.” Keep “small secluded sandy inlet” and the cliffs as secondary framing elements rather than expanding the scene further.

Replace “golden-hour dusk lighting with longer shadows” with “low storm light, heavy layered clouds, and sharp breaks of sunlight,” and replace “slightly cooler overall contrast” with “cold blue-gray contrast with deep slate shadows.” Retain “dramatic natural contrast” so the cliffs and yacht remain strongly separated.

Keep the fixed visual anchors “ultra-realistic photorealism,” “aerial drone photography,” and “sleek white luxury yacht,” then swap the setting phrase “white chalk coastal cliffs with bright green cliff-top grass and a small secluded sandy inlet” for variants such as “black volcanic cliffs with rust-colored rock shelves and a narrow turquoise cove” or “layered red sandstone cliffs beside a broad pale beach.” Change “golden-hour dusk lighting” to “clear midday sun” or “misty early-morning light” for controlled lighting variations.